Raised inside the prosperous personal of merchandiser, Salieri deliberate violin and harpsichord with his brother Francesco, who was the student of Giuseppe Tartini. When a early dying of his parents, he moved to Padua, then to Venice, where he exposed thoroughbass with Giovanni Battista Pescetti. There he met Florian Leopold Gassmann inside 1766, who invited him to attend a court of Vienna and there trained him in composition according to Fux's Gradus ad Parnassum. He remained witharound Vienna for the remainder of his life, & in 1774, after Gassmann's demise, Salieri was appointed court composer by Emperor Joseph II, and Imperial Royal Kapellmeister in 1788, a post which he held till 1824. He was president of the "Tonkünstler-Societät" (society of musical creative person) from either 1788 to 1795, vice-president after 1795, & inside charge of its concerts until 1818.

inside the period of his period in Vienna, Salieri acquired swell prestigiousness as a composer & conductor, particularly of opera, but likewise of chamber and sacred music. A virtually all successful of his extra than Xl operas involved Armida (1771), ''La scuola de' gelosi (1778), Der Rauchfangkehrer (1781), Les Danaïdes'' (1784), which was first presented as a act of Gluck's, Tarare (1787), ''Axur, Re d'Ormus (1788), Palmira, Regina di Persia (1795), and Falstaff o sia Le tre burle (1799). He wrote relatively little implemental music, including deuce piano concertos and the concerto for organ written in 1773, a concerto for flute, oboe and orchestra (1774), a placed of Xxvi variations in La Follia di Spagna'' (1815) and many serenades for winds.

He attained an elevated social standing, & was ofttimes associated by owning more celebrated composers prefer Joseph Haydn or Louis Spohr. He experienced significant role around 19th century classical music: he taught famous composers rather Ludwig van Beethoven, Carl Czerny, Johann Nepomuk Hummel, Franz Liszt, Giacomo Meyerbeer, Ignaz Moscheles, Franz Schubert and Franz Xaver Süssmayr. He besides taught Mozart's immature boy, Franz Xaver.

Salieri is buried in the Matzleinsdorfer Friedhof (now Zentralfriedhof) in Vienna, Austria. At his funeral service his have Requiem around 100 minor - composed inside 1804 - was performed for the first time. His monument is adorned by the verse form written by Joseph Weigl, one of his pupils:

Rest inside peace! Exposed by dust
eternity shall bloom for smart shoppers.
Rest around peace! Around eternal harmonies
your systems spirit today is dissolved.
He expressed himself inside enchanting notes,
at present he is swimming to everlasting beauty.

Salieri and Mozart

Around Vienna in the 1790s, Mozart mentioned several "cabals" of Salieri on his fresh opera Così fan tutte. When Mozart's music became further popular all over a decades, Salieri's music was forgotten, & Mozart's allegations gained credence & tarnished Salieri's reputation. At a beginning of the 19th century, increasing nationalism led to a tendency to transfigure a German Mozart's genius, while a Italian Salieri was given the role of his evil antagonist. Albert Lortzing's Singspiel Szenen aus Mozarts Leben LoWV28 (1832) uses a cliché of the intrigant Salieri trying to hinder Mozart's career. Patch Italian by birth, Salieri got sleep in royal Vienna since he was 16 years old & was esteem a German composer. Around 1772, Empress Maria Theresia made a comment in her preference to Italian composers all over Germans such as Gassmann, Salieri or even Gluck. Salieri saw himself as a German composer, which occasionally of his German letters, operas, oratorio, & songs seem to prove.

A biographer Alexander Wheelock Thayer believes that Mozart's suspicions of Salieri stand originated using an incident inside 1781 when Mozart applied to be a music teacher of the Princess of Württemberg, & Salieri was selected instead because of his proficient reputation as a cantabile teacher. In a when a result season Mozart again failed to become selected as the Princess's piano teacher.

After, whilst Mozart's Le Nozze di Figaro was not swell received by either a Emperor Joseph II nor per public, Mozart blamed Salieri for the failure. "Salieri and his tribe will move heaven and earth to put it down", Leopold Mozart wrote to his daughter Nannerl. However at a period of the premiere of Figaro, Salieri was occupy by using his recently French opera Les Horaces. Thayer believes that a intrigues surrounding a failure of Figaro were instigated per poet Giovanni Battista Casti against a Court Poet, Lorenzo da Ponte, who wrote a Figaro libretto.

Late, while district attorney Ponte was inside Prague preparing the production of Mozart's setting of his Don Giovanni, the poet was ordered back to Viennthe for a royal wedding for which Salieri's ''Axur, Re d'Ormus would become performed. Manifestly, Mozart was non supprised by this.

There exists far additional grounds to believe of the cooperative atmosphere between them composers than for the rattling enmity. E.g., whenever Salieri was appointed Kapellmeister around 1788, he revived Figaro instead of bringing out a recently opera of his have, & once he went to the enthronement celebration for Leopold II inside 1790 he had there are no less than iii Mozart people inside his baggage. Salieri & Mozart possibly composed the song for voice & soft together, known as By the la ricuperata salute di Ofelia'', which was celebrating a happy go to to stage of the notable singer Nancy Storace. This song has been wasted, although it experienced been printed by Artaria within 1785. Mozart's Davidde penitente K.469 (1785), his soft concerto within E flat major K.482 (1785), a clarinet quintet K.581 (1789) & a awesome symphony within G minor K.550 experienced been premiered on the guide of Salieri, world health organization potentially conducted the performance of it inside 1791. Around his survive surviving letter from either October 14th 1791, Mozart tells his married woman just about Salieri's attendance at his opera Die Zauberflöte K 620, speaking enthusiastically: ''"He heard and saw with all his attention, and from the ouverture to the last choir there was no piece that didn't elicit a bravo or bello out of him [...]"''

Salieri's health declined within his late years, & he was hospitalized shortly prior to his demise. It was shortly fallowing he died that hearsay number 1 spread that he got confessed to Mozart's slaying in his deathbed. Salieri's ii nurses, Gottlieb Parsko & Georg Rosenberg, also when his personal doctor Joseph Röhrig, documented that he never said any such tool. At least one of these tierce population were sustaining him throughout his hospitalization.

Fallowing Salieri's dying around 1825, Aleksandr Pushkin's drama Mozart i Salieri (1831) & a opera setting of this act by Nicolai Rimsky-Korsakov (1898) started the tradition of poetic license according to Mozart's allegations, continued & popularized by Peter Shaffer's heavily fictionalized play Amadeus (1979) and a Oscar-winning 1984 film by Milos Forman based on it, in which F. Murray Abraham played Salieri and Tom Hulce played the title character. When these are never explicitly stated in the play that Salieri flushed Mozart, he is portrayed when bitterly hating his contender, running and so far when to renounce God for blessing Mozart (portrayed in the play as an unformed great) sustaining wow talent when refusing to let him exist as anything however "a mediocrity." (The "Director's Cut" was freed in 2001 with an additional Twenty transactions of footage).

Additionally to the allegations of execution, the pic besides portrays Salieri as a mediocre composer, an designer, & a blasphemer. Inside realistic, his talent was so & is to this day applauded, & many coeval attested his variety nature and public-spirited mind. His religious devotion is accepted by his biographers. Inside how else, Shaffer's depiction of Salieri is similar to Shakespeare's characterization of Richard III.

Exponent of the theory that Salieri plotted against Mozart point to the suicide attempt of Salieri within 1823, claiming that it was due to the old composer's guilt over his anti-Mozart activities. the second cause for a suicide attempt - whenever it ever took place - was due to his depression because of the loss of his preferred pupil, twelve-month-old Franz Liszt, who experienced super recently left in the musical tour of Europe. This would exist as far extra in all likelihood to affect Salieri's state of mind than pain on top cases that got purportedly happened the third of the century antecedently.

List of works

Lay vocal music

Operas Annibale inside Capua (1801) Armida (1771) Axur, Re five hundred'Ormus (1788) Catilina (1790-92) - premiered posthumous 1994 around Darmstadt - Cesare inside Farmacusa (1800) Cublai, granny Kan first state' Tartari (1786-88) - premiered posthumous 1998 around Würzburg - Danaus (ca. 1807) - german version of Les Danaïdes - Das Posthaus - fragment, misused - Delmita e Daliso (1776) Der Rauchfangkehrer oder river Die unentbehrlichen Verräter ihrer Herrschaften aus Eigennutz (1781) Die Generalprobe - fragment - Die Neger (1802, premiered within 1804) Don Chisciotte alle nozze di Gamace (1770) Eraclito e Democrito (1795) L'Europa riconosciuta (1778) Falstaff ossia Le tre burle (1799) Ifigenia within Tauride (1783) - fragment - Il Barone di Rocca Antica (1772) Il Mondo alla rovescia (1792, premiered within 1795) Il Moro (1796) Il Pastor fido (1789) Il Ricco five hundred'un giorno (1784) Il Talismano (1779) - number 1 work by Salieri, 2nd & third work by Giacomo Rust - Il Talismano (1788) I tre filosofi (1797) - fragment - L'Amore innocente (1770) L'Angiolina ossia Il matrimonio by the sussurro (1800) La Bella selvaggia (1802) - non performed - La Calamità diamond state' cuori (1774) La Cifra (1789) La Dama pastorella (1780) La Fiera di Venezia (1772) La Finta scema (1775) La Grotta di Trofonio (1785) La Locandiera (1773) La Moda ossia Gli scompligi domestici (1771) - Pasticcio, area of 2nd & third work by Salieri - La Partenza inaspettata (1779) La Scuola first state'gelosi (1778, 2nd version 1783) La Scuola degli amanti ossia Così fan tutte (ca. 1789) - fragment - La Secchia rapita (1772) La Vestale (1769) - misused - Le Couronnement diamond state Tarare (1790) - addition to Tarare - Le Donne letterate (1770) Les Danaïdes (1784) Les Horaces (1786) Palmira, Regina di Persia (1795) Prima la musica e poi le parole (1786) Semiramide (1782) Tarare (1787)

Insertion arias & ensembles "Addio carina bella" (Meng.) aria around G major for bass & orchestra, for? "Affé questa sera grandissima" - "Una domina? Una nipote?" (Don Anchise) arie & recitative for bass and orchestra (1775?), for P. Anfossi's "La Finta giardiniera"? "Ah ciel che noja è questa" - fragment - "Ah dove amici" recitative for soprano & orchestra, for? "Ah non siete ogni si facile" (Tenast) aria for tenor & orchestra, for? "Alla speranza" (Galatea) aria for soprano & Orchestra, for? "All'idea del gran mistero" ariThe around A major for soprano, choir & orchestra, for? "Anch'io nello specchio talora" aria around E major for soprano & orchestra (1771), for? "Cedo l'intatto pegno" (Dely - Davidde) duet for soprano, tenor & orchestra, for? "Che mi s'appresti?" (Capitano) aria within Scale of c major for bass & orchestra (1775), for? "[...] che strane vicende" (Ros. - Fior. - Pasq. - Fulg.) fragmental finale of an operThe (Atto II), for A. Felici's "La Novità"? "Chi vuol la zingara" Duett für zwei Soprane und Orchester, für? "Dall'uso parigino il bello, il sopraffino" aria around C major scale for soprano & orchestra (1773), for? "Del morir le angoscie adesso" scene & aria for tenor & orchestra "Denke nicht der Zeit der Schmerzen" duet for soprano, tenor & orchestra, for? "Dico sol, che la padrona" (Lena) aria for soprano & orchestra, for "La Locandiera"? "D'oro saranno i letti" (Fulg.) aria arounFive hundred D major for bass & orchestra (1775), for? "Dottorini saputelli" (Clar.) arie for soprano & orchestra (1774), for? "Eccomi al punto ch'io già tanta temei" fragmental aria for soprano & orchestra, for? "Fate largo al gran Pasquino" (Pasquino) ariThe within 500 major for bass & orchestra (1775), for A. Felici's "La Novità"? "Figlia mia diletta" trio for soprano, tenor, bass & orchestra, for? "Fra tanto pietre brune" (Polidoro) recitative for bass & orchestra (1785?), für D. Cimarosa's "L'Italiana in Londra"? "Gelosia d'amore è figlia" aria for soprano & orchestra, for? "Goder lasciatemi" (Gianetta) aria for soprano & orchestra, for? "Gran diavolo!" (Uberto) aria inside F major for bass & orchestra, for? "Guarda in quel volto" aria within E flat major for soprano & orchestra, for? "Ho perduto la mia pace" (Brettone) aria for tenor & orchestra (1775), for G. Paisiello's "L'Innocenza fortunata"? "Ho stampato libri in foglio" aria for tenor & orchestra, for? "Il pargoletto amabile" ariThe inside A major for tenor & orchestra, for? "In tuo favore mi parla il core" duet for deuce sopranos & orchestra, for? "Io contento", recitative, for? "Io di nuovo vel ripeto" aria for soprano & orchestra (1777), for? "Io lo dico e il posso dire" trio for alto, tenor, bass & orchestra, for? "Io non so che pensare" recitative & cavatina for tenor & orchestra, for? "La donna è sempre instabile" (Belfusio) aria for tenor & orchestra, for "La Fiera di Venezia"? "La mia morosa me l'ha fatta" (Sandrina) aria for soprano & orchestra, for "Il Talismano"? "L'amour est un dieu" Canzone for soprano & orchestra, for? "La sposa se cedo" aria for soprano & orchestra, for? "Le diras, che il campione" (Gusman) aria for bass & orchestra (1775), for? "Le Inconvenienze teatrali" quartet for soprano, alto, tenor, bass & orchestra, for? "L'introduco immantinente" - "Quando ho visto il dottorino" (Rosina) recitative & aria for soprano & orchestra (1776), for "La Finta scema" "Madame vezzosissima" (Zeffirina - Valerio) fragmental recitative & duet, for? "Ma quai mali intorno al core" aria for tenor & orchestra "Ma quale agli occhi miei" (Conte) recitative, for? "Mia vaga Dorilla" aria for Bass & orchestra (1775), for B. Galuppi's "Il Marchese villano" "Moriam, moriam mia vita" recitative & duet for soprano, tenor & orchestra, for? "Nel mio seno" aria, for? "Non per parlar d'amore" (Laurina) aria inside E flat major for soprano & orchestra, for North. Piccinni's "L'Astretta" "Non temer che d'altri" (Falsirena) aria for soprano & orchestra (1779), for "La Fiera di Venezia" "Non veste alla moda" (Aga.) aria for bass & orchestra (1774), for? "Non vi fidate" aria for soprano & orchestra, for? "Oh che donna che matta" (Peppino), recitative, for? "Oh me infelice - Allor potrei" recitative & aria, for? "Oh qual sorpasso giubilo" (Pilemone) aria around F major für bass & orchestra, for "Eraclito e Democrito"? "Oh quanti veggarsi" (Cardano) aria for tenor & orchestra, for "Il Talismano"? "Oh sancte inviete" aria for soprano & orchestra (1775), for? "Padrona stimatissima" (Pasquino) ariThe inside 500 major for bass & orchestra, for A. Felici's "La Novità"? "Parlaste d'un cappone" aria for bass & orchestra (1776), for? "Pasquino avrà quest'ora" recitative, for The. Felici's "La Novità"? "Paterio giudizio" aria for bass & orchestra, for? "Per amore io già vancillo" (Perillo) aria for tenor & orchestra (1770), for? "Perder sogetto amato" duet for deuce sopranos & orchestra, for? "Per voi s'avanzi" aria for bass & orchestra, for? "Qual densa notte" (Artalice - Chabri - Nehemia - Chor) finale of an opera, for? "Quando sarà mia sposa" (Capitano) aria for bass & orchestra (1775), for? "Quest'è un mar di confusione" quartet for sopran, alto, tenor, bass & orchestra, for? "Rasserena nel tuo barbaro" fragmental aria, for? "Sans argent et sans crédit" (Boschetto - Pirati - Lauretta) scene by owning orchestra (1768), for? "Scomodarmi da palazzo e trattarmi in questa guisa" aria around F major for soprano & orchestra (1775), for? "Se amor m'ha dato in testa, se mi far delirare" aria for soprano & orchestra (1776), for? "Se credessi di volare" (Peppino) aria within E flat major for bass & orchestra (1774), for? "Se Dio veder tu vuoi" (Achio - Azia) duet, for? "Se tu vedessi il core" (Isabella) aria within G major for soprano & strings, for B. Galuppi's "Il Villano geloso" "Signor mio scrivete bene" (Pasquino) ariThe within F major for bass & orchestra (1775), for A. Felici's "La Novità"? "S'odo, o duce" (Epponina - Voadice - Sabino - Arminio - Annio) finale of an opera (1785?), for G. Sarti's "Giulio Sabino" "Son dama, ma so l'arte ancor delle plebe" (Polissena) aria within B flat major for soprano & orchestra (1774), for G. Paisiello's "Il Tamburo (notturno)" "Son nipote d'un togato" (Isabella) aria within F major for soprano & strings, for B. Galuppi's "Il Villano geloso" "Sopra il volto sbigotito" aria within E flat major for bass & orchestra, for? "Talor non si comprende" aria for bass & orchestra, for? "Tenero cor" recitative & cavatina for soprano & orchestra (1780), for? "Tu che ferita sei" aria for tenor & orchestra, for "Il Barone di Rocca antica"? "Tutte le furie unite in questo petto io sento" aria for soprano & orchestra (1776), for? "Tutti dicon che la moglie" aria for bass & orchestra, for? "Una domina? una nipote?" - watch: aria "Affé questa saria grandissima" - "Un bel marito" aria for soprano & orchestra, for? "Un pescatore mi pare amore" aria for bass & orchestra, for? "Vedi ben che queste scene" trio for soprano, alto, bass & orchestra, for? "Venga su la finestra" aria for tenor, choir & orchestra, for? "Venissi cari, l'affare è serio" (Patenio) aria for bass & orchestra (1777), for? "Verdammter Streich" (Mauser) aria for tenor & orchestra, for? "[...] vicino a perdere l'amato ben" fragmental aria, for? "Villottino mio bellino" (Lisetta) aria for alto & orchestra (1775), for? "Vi son sposa" aria, for? aria (Polissena) for soprano & orchestra (1774), for G. Paisiello's "Il Tamburo (notturno)" finale of an opera for 3 sopranos, ii tenors, bass & orchester (1779), for "La Scuola de'gelosi"?

Ballets & incident music Ballet within Seven movements for "L'Europa riconosciuta" (1778) Ballet within Xvi movements Ballet inside X movements Ballet within Viii movements Fragmentary ballet Overture, quadruplet incident pieces & nine choirs for "Die Hussiten vor Naumburg" by August von Kotzebue (1803)

Secular cantatas "Cantata per le nozze di Francesco I" for soloists, choir & orchestra (1808) "Der Tyroler Landsturm" for soprano, tenor, bass, choir & orchestra (1799) "Die vier Tageszeiten" for choir & orchestra (1819) "Du, dieses Bundes Fels" for choir & orchestra "Habsburg" for tenor, bass, choir & orchestra (1805/06) "Il Trionfo della Gloria e della Virtù" for even deuce sopranos, tenor, choir & orchestra (1774 or 1775) "La Riconoscenza" for soprano, choir of 5 voices & orchestra (1796) "La Riconoscenza de' Tirolesi" for choir & Orchester (1800) "La Sconfitta di Borea" for even soloists, choir & orchestra (1774 or 1775) "Lasset uns nahen alle" for tenor, bass, choir & Orchester "Le Jugement dernier" for tenor, choir & orchestra (1787/88) "L'Oracolo muto" for soloists, choir & orchestra (1802/03) "Wie eine purpur Blume" for ii sopranos, choir & orchestra

Secular choirs "An den erwünschten Frieden im Jahr 1814" for choir & orchestra (1814) "An die Religion" for choir take a breath (1814) "Bei Gelegenheit des Friedens" for treble solo, tenor, bass & orchestra (1800) "Beide reichen Dir die Hand" for choir - fragment - "Del redentore lo scempio" for choir & orchestra (ca. 1805) "Der Vorsicht Gunst beschütze, beglücktes Österreich, dich" for choir & orchestra (1813) - newly version of the final movement of "Der Tyroler Landsturm" (1799) - "Dio serva Francesco" for choir & orchestra "Do re mi fa" for choir suspire (1818) "Es schallen die Töne" for choir & orchestra "Herzliche Empfindung bey dem so lange ersehnten und nun hergestellten Frieden im Jahr 1814" for choir & orchestra (1814) "O Friede, reich am Heil des Herrn" - view: "Herzliche Empfindung bey dem so lange ersehnten und nun hergestellten Frieden im Jahr 1814" - "Hinab in den Schoß der Amphitrite" for choir & orchestra (from either "Danaus"?) "Il piacer la gioia" for choir & orchestra "Ogni bosco, ogni pendice" for choir & orchestra "Religion, Du Himmelstochter" - look at: "An die Religion" - "Schweb herab, o holder Seraph Friede" - understand: "An den erwünschten Frieden im Jahr 1814" - "Schwer lag auf unserem Vaterlande" - watch: "Rückerinnerung der Deutschen nell'anno 1813" - "Rückerinnerung der Deutschen nell'anno 1813" for choir & orchestra (1813/14)

Songs, ensembles & canons using or even forswearing piano - ca. 340 works -

Sacred vocal music

Oratories & sacred cantatas "Davidde" for soloists, choir & orchestra (1791) - fragment - "Gesù al limbo" for soloists, choir & orchestra (1803) "La passione di Gesù Cristo" for soloists, choir & Orchester (1776) "Le Jugement dernier" for tenor, choir & orchestra (1787/88) - understand above - "Saul" for soloists, choir & orchestra (1791) - fragment -

Masses und lone movements Mass within Scale of c major for choir respire (1767) Mass inside 500 major for choir & orchestra (1788) - known as "Hofkapellmeistermesse" - Mass inside Scale of c major for double choir & orchestra (1799) - known as "Proklamationsmesse" - Mass around D minor for soloists, choir & orchestra (1805) Mass inside B flat major for soloists, choir & orchestra (1809) Kyrie around Scale of c major for soloists, choir & orchestra (1812) - section of an bare mass - Kyrie inside F major for choir & orchestra - fragment -

Requiem masses Requiem around hundred tiddler for soloists, choir & orchestra (1804) Requiem inside d minor for choir & orchestra (ca. 1815-20) - fragment -

Graduals "Ad te levavi animam meam" around E flat major for choir & orchestra "A solis ortu" in favor Festo SS. Corporis Christi, within Scale of c major for choir & orchestra (1810) "Benedicam Dominum" inside favour Dominica 12ma post Pentecostem aut delaware Tempore, in B flat major for choir & orchestra "Confirma hoc Deus" around C major scale for soloists, choir & orchestra (1809) "Improperium" within one hundred shaver for choir the cappella "Justorum animae" around The major for choir & orchestra "Liberasti nos, Domine" in favour Dominica XXIII. et ultima post Pentecostem, inside Five hundred major for choir & orchestra (1799) "Magna opera Domini" district attorney tempore, inside 500 major for choir & orchestra (1810) "Spiritus meus" around d minor for choir & orchestra (1820) "Tres sunt, qui testimonium dant in coelo" delaware SS. Trinitate, within Five hundred major for choir & orchestra "Veni Sancte Spiritus" inside B flat major for choir & orchestra (1800) "Veni Sancte Spiritus" around favour of Festo Pentecostem, in B flat major for choir & orchestra (1805) "Venite gentes" within C major scale for double choir & orchestra (1799) "Vox tua mi Jesu" inside C major scale for choir & orchestra (1774)

Offertories "Alleluja (deinde) Bonum est" in 500 major for choir, strings & organ "Alleluja" arounFive hundred D major for choir & orchestra (1774) - 1788 reused when "Amen"-Fugue in the "Gloria" of the Mass arounFive hundred D major - "Assumpta est Maria" within C major scale for choir & orchestra (1799) "Audite vocem magnam" within C major scale for Chor und orchestra (1809) "Beatus vir, qui non abit" inside 500 major for soloists, choir & orchestra "Benedixisti Domine" in F major for choir the cappella "Benedixisti Domine" in F major for choir the cappella "Cantate Domino omnis terra" in C major for double choir& orchestra (1799) "Desiderium animae" within F major for soprano, alto, bass & orchestra "Domine, Dominus noster" in G major for choir & orchestra (1812) "Dum corde pio" inside Scale of c major for choir, double-bass & organ "Excelsus super omnes gentes Dominus" in C major scale for choir & orchestra (1806) "Gloria et honor(e)" within C major scale for choir & orchestra (1809) "Jubilate Deo" inside The major for choir & orchestra "Justus ut palma" inside B flat major for choir & orchestra "Lauda Sion Salvatorem" within Scale of c major for choir & orchestra (1805) "Laudate Dominum omnes gentes" in D major for choir & orchestra (1809) "Magna et mirabilia sunt opera tua" inside Scale of c major for choir & orchestra (1809) "Magna opera Domini" in C major scale for chor & orchestra (1812) "Miserere nostri" around g minor for choir & orchestra (1805) "Miserere nostri" within E flat major for choir & orchestra (1803) "O altitudo divitiarium" around C major scale for choir & orchestra (1809) "O quam bonus et suavis est" inside B flat major for soloists, choir & orchestra "Populi timente sanctum nomen Domini" in E flat major choir & orchestra (1778) "Salve Regina" in Five hundred major for choir & orchestra (1815) "Salve Regina" (around german words) in G major for choir & organ "Salve Regina" in B flat major for choir & orchestra "Salvum fac populum" (1805) - misplaced - "Si ambulavero in medio" in g minor for choir & orchestra (1809) "Sub tuum praesidium" inside B flat major for choir & orchestra (1820) "Tui sunt coeli" around C major scale for choir & orchestra "Tui sunt coeli" inside E flat major for choir & orchestra

Psalms "Beatus vir, qui timet Dominum" in D major for deuce tenors, choir & orchestra "Confitebor Domine" in B flat major for choir & orchestra "De profundis" around f minor for choir, bass & organ (1815) "De profundis" inside g minor for choir & orchestra (1815) "Dixit Dominus" in G major for choir & orchestra "Lauda, Jerusalem, Dominum" in C major scale for choir & orchestra (1815) "Laudate pueri Dominum" in G major for choir of half a dozen voices & orchestra "Magnificat" inside Scale of c major for choir & orchestra (1815) "Magnificat" inside F major for both-two-way choir & orchestra (1815)

Litanies "Litania di B.M.V." around F major for soloists, choir & orchestra "Litania pro Sabbato Sancto" inside B flat major for choir take a breath (1820)

Hymns "Coelestis urbs Jerusalem" Hymnus delaware dedicatione Ecclesiae, within The major for choir & orchestra "Genitori" inside F major for soprano, choir & orchestra "In te Domine speravi" in E flat major for deuce sopranos & bass (1817) "Tantum ergo" around C major scale for double choir, 2 clarinets, iv horns, quaternary cornet (Clarini), tympanum, double-bass & organ "Tantum ergo" around C major scale for choir, 2 hautbois, 2 bassoons, quaternion horn (Clarini), tympani & organ "Tantum ergo" within C major scale for choir, deuce trumpets (Clarini), kettle & organ "Tantum ergo" inside F major for soprano & strings (1768) "Te Deum laudamus" around Scale of c major for soloists, choir & orchestra (1819) "Te Deum laudamus" diamonFive hundred state Incoronazione, around D major for choir & orchestra (1790) "Te Deum laudamus" within Five hundred major for double choir & orchestra (1799) - fresh version of the "Te Deum" from either 1790 -

Introitus "Avertisti captivitatem Jacob" in favor of Dominica XXIII. et Two dozen. post Pentecostem, within B flat major for choir, strings & organ "Beati immaculati" delaware Virginibus et Martyribus et diamond state Sancto Stephano, around F major for choir, strings & organ "Concupiscit et deficit" withinside dedicatione Ecclesia et inside Festo Tranfigurationis Domini, in F major for choir, strings & organ "Dico ergo" around favour of Festis Beatae Mariae Virginis, in d minor for choir, strings & organ "Domine exaudi vocem meam" pro Dominica XXII. post Pentecostem, within F major for choir, strings & organ "Et justitiam tuam" within favour Festo Epiphaniae, in d minor for choir, strings & organ "Et psallare" in favour of Festo S. Joannis Apost. et S. Joannis Bapt., within B flat major for choir, strings & organ "Inductus est Dominus" within favor Dominica below octavem Nativitas Domini et ad secundam missam, in F major for choir, strings & organ "In civitate" pro Festo Purificationis Mariae et Dominica VIII. post Pentecostem, around Scale of c major for choir, strings & organ "In mandatis ejus" delaware Confessore et around Festo Sancti Joachim, inside g minor for choir, strings & organ "Jubilate Deo Jacob" inside favor of Dominica in albis, in favour of Feria II. post Pentecostem et around solemnitate corporis Christi, inside d minor for choir, strings & organ "Jubilate Deo" in favour Festo St. Januarii Episcopus et Marketplace., around favor of Festo Ascensionis Domini, in F major for choir, strings & organ "Laetentur insulae" in favour Dominica III., IV., V., VI. post Epiphaniam, within F major for choir, strings & organ "Ne quando taceas" in favour of Dominica VI. post Pentecostem, around d minor for choir, strings & organ "Neque celaveris" first state Confessore, inside B flat major for choir, strings & organ "Quam admirabile est nomen tuum" pro Festo Sanctissime Trinitatis, inside d minor for choir, strings & organ "Tu cognovisti" inside favor of Festo Sanctorum Apostolorum, in d minor for choir, strings & organ

Motets & sacred arias & chants "Audimus Dei verbum" - misplaced - "Contra vos, o monstra horrenda" around B flat major, motet for soprano, choir & orchestra (1769) "Cor meum conturbatum" inside g minor for choir & orchestra "Ecce enim veritatem" within G major for bass, triplet violas, double-bass & organ "Fremat tirannus" inside Scale of c major, motet for soprano, choir & orchestra (1778) "Magna est virtus" - misused - "Misericordius Dominus" in E flat major, duet for soprano, bass, violine & orchestra "O mortales, festinate" in B flat major, aria for soprano, clarinet & orchestra "Quae est illa" inside B flat major, aria inside honorem B.V.M. for soprano, hautboy, strings & organ "Quem terra pontus sidera" within The major for soprano & orchestra "Salve Jesu pie" duet - misused - "Tu es spes mea, Domine" for soprano, flute, hautboy & orchestra

Implemental music

Concertos Concerto for hautboy, fiddle, cello & orchestra aroun500 D major (1770) Concerto for organ & orchestra within Scale of c major (1773) - 2nd movement wasted - Concerto for piano & orchestra around Scale of c major (1773) Concerto for piano & orchestra inside B flat major (1773) Concerto for flute, hautbois & orchestra around Scale of c major (1774) Concertino district attorney camera for flute & strings G major (1777)

Symphonies, overtures & variations Symphonie arounFive hundred D major "Il Giorno onomastico" (1775) Symphonie arounFive hundred D major "La Veneziana" (built from either overtures to "La Scuola de'gelosi" & "La Partenza inaspettata") Three minuets for orchestra 26 Variations in "La Follia di Spagna" for orchestra (1815) Allegretto inside 500 major for orchestra Symphonie (ouverture) within Scale of c major - overture to "Habsburg" - Overture "La Frascatana" Fragmentary Symphonie (overture) inside G major Fragmentary movement for bassoons & strings

Serenades "Picciola Serenata" within B flat major for Two hautbois, Deuce horns & bassoon (1778) Serenade around B major for Ii clarinets, Deuce bassoons, Ii horns & double-bass Serenade withinside Scale of c major for Deuce flutes, Deuce hautboy, Deuce bassoons, Deuce horns & double-bass (guide version of the serenade in B flat major for septenary instruments) Serenade around F major for Two flutes, Two hautbois, Two bassoons, Deuce horns & double-bass Cassation inside Scale of c major for Ii hautbois, Deuce english horns, Ii bassoons & Ii horns Three trios around G major, E flat major & Scale of c major for Two Hautbois & bassoon "Armonia per und tempio della notte" within E flat major for Ii hautboy, Two clarinets, Two bassoons & Deuce horns (ca. 1795)

Marches 11 Marches for orchestra (ca. 1804) March for wind ensemble "Prägt tief in eure Herzen, Brüder" "Parademarsch" inside C major scale for wind ensemble March "Die Landwehr" (1809) March within honour of Gassmann in C major for orchestra (1820)

Chamber music 4 Scherzi armonici istrumentali for string quartet Fugue for string quartet (tema H.! b.e.north. Die 1000. ist ein s. Ma not prairie state testo) Fugue for tercet instruments Fugue around Scale of c major for deuce instruments (1818) Fugue around E flat major for deuce instruments (Tema Kerscorchiano) 6 little pieces for piano 6 pieces for guitar - wasted -

'''Revisions of more composers' works & joint compositions by owning more composers'''

"La Betulia liberata" by Florian Leopold Gassmann: abridgements inside recitatives & arias, & extra choirs taken from either more compositions of Gassmann's (1820) "Il Talismano": jointly composition by Salieri (1st work) & Giacomo Rust (second & third work) (1779) "Iphigénie en Tauride" by Christoph Willibald Gluck: Italian version called "Ifigenia in Tauride" in Lorenzo Da Ponte's translation (1783) "Per la ricuperata salute di Ofelia" for voice & piano: jointly composition by Salieri, Mozart and Cornetti (1785) - misplaced - "Requiem" by Niccolò Jommelli: additional instrumentation of deuce hautbois, deuce bassoons & 2 trombones (for Christoph Willibald Gluck's solemn requiem on april 8th 1788) "Stabat Mater" around f minor by Giovanni Battista Pergolesi: version for soloists, choir and orchestra, instrumentation by Franz Xaver Süssmayr

Links

[http://classyclassical.blogspot.com/2005/08/antonio-salieri-truth-or-fiction.html Salieri: Truth or Fiction] [http://reverent.org/mozart_or_salieri.html Mozart or Salieri?] Require this quiz to watch if you could tell the difference between their music.